Rich Capparela says we all remember how your ennoblement went in great details. Well, this piece was commissioned by Sigmund Haffner the Older for his son's ennoblement.
"Symphony #35 "Haffner" in D K.385" by Wolfgang Amadeus Mozart
Performance by the Prague Philharmonic Orchestra, conducted by Jiří Bělohlávek
Rich gave us not one, not two, but because he loves us, three performances from the same recording! :)
Guest conductor Rune Bergmann conducted with violinist Philippe Quint.
MOZART: Overture to Don Giovanni
TCHAIKOVSKY: Violin Concerto in D Major
NIELSEN: Symphony No. 4, “The Inextinguishable”
KUSC's Alan Chapman interviewed both guests in the pre-concert lecture. Rune gave some interesting characteristics of the Scandinavian countries.
Finland is the dark one.
Norway is the joyful one, with all the fjords and mountains.
Sweden is also joyful, but thinks too much.
Denmark is the happiest one, and drinks beer all the time.
Rune didn't use a conductor's podium. I think if he did, he'd fall off! :)
As a Norwegian conductor, he's very energetic on obviously joyful. This is the second time I've seen Rune here, and he is on top of my favorite conductors to watch.
Music director Carl St.Clair conducted with Soprano Michaela Vaughn.
Škroup/Kajetán Tyl: National Anthem of the Czech Republic "Kde domov můj" "Where is My Home?"
Smith/Scott Key: National Anthem of the United States "Star-Spangled Banner"
DVOŘÁK: Symphony No. 9 in E Minor“From the New World”
This was also celebrating the 100th anniversary of Czechoslovakia's independence.
The concert started off with the national anthem of both the Czech Republic and the USA. Ambassador Pavol Šepeľák from Czech gave a speech, and Dr. Hana Ayala gave a presentation of Pangea World. I learned that Czechoslovakia and USA had many ties since inception. Czechoslovakia became independent exactly 100 years ago, on October 28, 1918. Their constitution was published in Philadelphia, an their first president's wife was from Brooklyn, NY!
Music director Carl St.Clair conducted with pianist Olga Kern.
FRANK Ticheli: Shooting Stars
Rachmaninoff: Piano Concerto No. 3
Mozart: Sinfonia Concertante for Violin and Viola
Ravel: Boléro
The Boléro piece was played with a video showing footage of the 40 years of the Symphony. It was perfectly in synch with the music. Very good job, Jeffery Sells! :)
Olga Kern was amazing as the Saturday concert, a very powerful Rachmaninoff.
If the fact that she wore a different dress on the concert wasn't amazing enough, she also played different pieces for the encore. On Saturday, it was a virtuosic piece by Mussorgsky. On Sunday, it was the Flight of the Bumblebee. I don't know how she can do that right after a Rach 3!
She noted that she never felt the piece to be difficult, maybe because she was experiencing it before she was born. Her mother was playing it when Olga was still in the womb!
We went to the final concert of the Pacific Symphony's Summerfest 2018 at the Pacific Amphitheatre! :)
Music director Carl St.Clair conducted with pianist Vadym Kholodenko, and the Huntington Beach Concert Band.
Dmitri Shostakovich: Festive Overture, Op. 96
Piotr Ilyich Tchaikovsky: Piano Concerto No. 1 in B-flat Minor, Op. 23
Nikolai Rimsky-Korsakov: “Procession of the Nobles” from Mlada
Nikolai Rimsky-Korsakov: Russian Easter Overture, Op. 36
Alexander Borodin: “Polovtsian Dances” from Prince Igor
Piotr Ilyich Tchaikovsky: 1812 Overture, Op. 49
The second half of the program was accompanied with an experimental app, "Encue". It shows real-time program notes, describing the pieces as they progress. They first tried it out at an open rehearsal back in January, but I guess there was some tweaking to be done for the general performance.
This was nice, but I needed to see the canon and fireworks! :)
Guest conductor Ben Gernon conducted, with pianist Boris Giltburg.
Sergei Prokofiev: Russian Overture
Sergei Rachmaninoff: Concerto No. 2 in C Minor for Piano & Orchestra, Op. 18
Igor Stravinsky: Petrushka (1947 version)
The super-tuba played in Petrushka by Jim Self.
Alan Chapman interviewed both guest artists in the pre-concert lecture.
Conductor Ben Gernon was born in a musical family, with both parents being music teachers. He started the Tuba when he was 7, because nobody in his Dad's brass band wants to play it. :)
Ben started conducting when he was 15, in the school orchestra!
Boris Giltburg is somebody who loves playing the piano. He makes practicing his first priority, saying it's hard to know when it's good enough, and time to stop. Boris talked about the differences between the German and Russian music schools. The German school leans more intellectual, and the Russian school leans more emotional. They also touched on his "dream piano", posted on his blog.
Music director Carl St. Clair conducted, with pianist André Watts.
Ludwig van Beethoven: Concerto No. 5 in E-flat Major for Piano and Orchestra,
Dmitri Shostakovich: Symphony No. 10 in E Minor, Op. 93
There was a video of Dmitri Shostakovich playing in the lobby.
KUSC's Alan Chapman interviewed André Watts in the pre-concert lecture, and André was hilarious as always. He talked about the teaching music. The hypocrisy of teaching, telling something to the student and not doing it yourself. How he juggles teaching and performing. The range of talent in his students. His amazing experiences with Glenn Gould.
André Watts is one of the few artists that takes advantage of the BYOS (Bring Your Own Steinway) policy. :)
Music director Carl St. Clair conducted, with Sitarist Anoushka Shankar, Baritone Christòpheren Nomura, Soprano Elissa Johnston, Bass Baritone Donovan Singletary, Alto I-Chin Lee, Tenor Nicholas Preston, and the Pacific Chorale.
Philip Glass: Meetings Along the Edge (based on a theme by Ravi Shankar), from Passages
Ravi Shankar: Sitar Concerto No. 3
For an encore, Anoushka played her own composition, "Monsoon".
Philip Glass: The Passion of Ramakrishna
The symphony took the whole concert to Carnegie Hall on April 21. Although anyone can rent the hall based on availability, the Pacific Symphony was INVITED for the Philip Glass's 80th birthday event!
This is a recital concert we want back in January. It is part of the Pacific Symphony's Pedals and Pipes Organ Series, featuring Paul Jacobs.
The screen was placed on the stage, so the folks far away can see Paul play the organ. And of course, it showed his footwork as well!
Paul Jacobs has been coming to Orange County every other year for some time now. On top of being a spectacular organist, he is a wonderful person. I can't speak for his students at Juilliard, but he's always gentle and patient, and I've never seen him seem a slight bit irritated! :)
Johann Sebastian Bach: Toccata and Fugue in D Minor, BWV 565
Johann Sebastian Bach: Trio Sonata in E Minor, BWV 528
Johann Sebastian Bach: ”Arioso” from Cantata, BWV 156
Johann Sebastian Bach: Prelude and Fugue in D Major, BWV 532
Franz Liszt: Fantasia and Fugue on “Ad Nos, Ad Salutarem Undam”
The first half of the concert was all J. S. Bach, changing the Trio Sonata from the program notes (because he can!). It showed Bach's virtuosic side, technical side, tender side, and cheerful side. After the majestic piece by the half-gypsy half-priest Liszt, Paul closed the concert with another Bach encore, the Gigue Fugue.
Paul has played the entire organ works of Bach in one day several years ago. I wish I could have sit in on that. :)
If he publishes a Bach organ work box set, I'm sure to buy without hesitation!
We also went to see the rehearsal on Wednesday. They had an app called EnCue, which supposedly showed real time program notes. I couldn't find the concert on Saturday, so I guess it didn't work out as expected...
Assistant concertmaster Jeanne Skrocki served as concertmaster this time!
Music director Carl St.Clair conducted with pianist Alexander Romanovsky.
Johannes Brahms: Symphony No. 3 in F Major, Op. 90
Paul Chihara: Wild Wood (West Coast premiere)
Serge Prokofiev: Concerto No. 2 in G Minor for Piano & Orchestra, Op. 16
Alan Chapman interviewed our star guests, Alexander Romanovsky and Paul Chihara at the pre-concert lecture. They talked about Alexande's youth, how composers can make the biggest bang for the buck, and other things. :)
This is the first time the Pacific Symphony played Prokofiev's 2nd piano concerto.
Music director Carl St. Clair conducted, with stage director Robert Neu.
Wolfgang Amadeus Mozart: The Magic Flute
Tamino: John Tessier, tenor
Papageno: Hadleigh Adams, baritone
Pamina: Tess Altiveros, soprano
Queen of the Night: Kathryn Lewek, soprano
Sarastro: Evan Boyer, bass
Three Ladies: Amy Shoremount-Obra, soprano, Deborah Nansteel, mezzo-soprano, Julia Benzinger, mezzo-soprano
Monastatos: Julius Ahn, tenor
Child Spirits: Members of the Southern California Children’s Chorus
Papagena: Bridgette Gan, soprano
Speaker of the Temple, Priest, Armed Guard, Slave: Colin Ramsey, bass
Priest, Armed Guard, Slave: David Guzman, tenor
Puppet designer: Robin Walsh
Lighting designer: Kathy Pryzgoda
Costume designer: Katie Wilson
Wig and makeup designer: Ora Jewell-Busche
This was a "semi-staged" opera, which means the orchestra was on stage, instead of being in the pit. This allowed stage director Robert Neu to put in a lot of creativity. He also talked during the pre-concert talk with Alan Chapman, how he took the liberty of "contemporizing" the show. Tamino and Pamina were wearing office attire, Papageno was calling on Alexa to turn on the lights, etc.
I loved how Papageno was breaking the fourth wall all over the place! :)
At one point he was conducting the orchestra while Carl was holding the magic bells up high!
And of course, the Queen of the Night aria was amazing! The visual effect amplified the experience, with her huge puppet floating behind her like a guardian angel.
They still have one more performance on Tuesday. But in case you miss it, you can listen on the replay on KUSC, March 11.
I've been to the first concert when the Nobertine Fathers came. They were chanting in the dimmed lobby before the concert began, with a spotlight shining from above. It was definitely a wonderful spiritual experience.
Guest conductor Michael Francis conducted with violinist Ray Chen.
Ludwig van Beethoven: Concerto in D Major for Violin and Orchestra, Op. 61
Edward Elgar: Symphony No. 1 in A-flat Major, Op. 55
I loved the Beethoven concerto. It is always refreshing to hear a non-Kreisler cadenza played. :)
In addition to the 1st and 3rd movement cadenzas, Ray Chen inserted a transition piece between the 2nd and 3rd. For an encore, he treated us with Paganini's Caprice No. 21. The replay on KUSC is definitely something I will be looking forward to! :)
There was lots of fun in the pre-concert lecture as well! Alan Chapman interviewed the star guests, and here are some fun facts I found out.
Michael brought the rain to California last week! He told the orchestra, if you do an English piece with an English conductor, you're getting English weather. :)
He also reminded us that Elgar's Pomp and Circumstance was not composed for US graduation ceremonies.
Ray, at 28 years old, has more concerts with first-time conductors. He's starting round 2's and 3's with orchestras, though.
He talked about his pre-concert ritual, a count-down before entering the stage. Being a young performer, Ray still gets nervous, and this helps him get a psychological advantage.
He was coming down with a cold or something, but his performance was awesome! :)